I am interested in architecture, especially where buildings have developed organically, without official planning; in how individuals and communities shape their surroundings and vice versa.

Since 2006 I have been working on photographic and video projects about the effects of colonialism and neo-colonialism in the Caribbean, especially in Jamaica, and connections to the UK.

ccm [at] charlottecmortensson.com

EXHIBITIONS

Solo shows

  • Barbican Arts Group Trust, London 2014;
  • Kunsthäuschen Herrliberg, Switzerland 2008, 2011, 2017;
  • St Pancras Cruising Club, Kings Cross, London 2007 with Chris Clunn;
  • Kunstsalon Wolfsberg, Zurich, Switzerland 2002.

Group shows include

  • The London Group Film Night at The Cello Factory, London 2016;
  • Red Soil video at Kunsthäuschen Herrliberg, Switzerland 2015;
  • Venice Pavilion in London at hARTslane 2015;
  • Combines at The Cello Factory 2015;
  • Bridge at The Cello Factory 2015;
  • From Bomberg to Rego at Southampton City Museum and Art Gallery 2014;
  • Swiss National Museum, Zürich, Switzerland 2013-14;
  • Scottish Royal Academy, Edinburgh 2013-14;
  • Barbican Arts Group Trust Open, London 2013;
  • East West Gallery, Notting Hill, London 2010-2013;
  • Discerning Eye at the Mall Galleries, London 2008, 2011;
  • Centre for the Urban Built Environment, Manchester 2011;
  • Creekside Open, Deptford, London 2009;
  • Emergency 4 at Aspex Gallery, Portsmouth 2009;
  • One Love at The Lowry, Salford 2009;
  • Trongate Studios, Glasgow, 2007;
  • Werkhalle, Meilen, Switzerland 2005;
  • Collins Gallery, Strathclyde University, Glasgow 2004;
  • Hastings Museum and Art Gallery 2003;
  • Kunstsalon Wolfsberg, Zurich, Switzerland 2001, 2002, 2003.